Ever since she was a young child, filmmaker Ester Gould has been amazed by the sheer self-confidence of her older sister Rowan, whose boundless creativity and natural beauty tended to make everyone around her jealous. She has the world at her feet, and the universe is her playground. But can such a well-developed sense of your own worth go too far? Self-assurance is greatly valued - until it spills over into an unhealthy overestimation of the self. In this incisive, personal visual essay, Gould explores our society's increasing obsession with the self. Thanks in part to social media, the pressure to have a fantastically successful life is ever greater; personal development seems to be the only thing that counts. The filmmaker follows a number of seemingly successful people going out, socializing and participating in the art world, as they reflect in conversations or interviews on the level of self-confidence they display and how this relates to their actual "self." Meanwhile, dreamy reenactments tell the story of the filmmaker's sister Rowan, illustrated by excerpts from correspondence between the sisters. How marvelously everything is going; how fantastically she's doing; she's taking yet another inspirational course; she gets so many invites that there's simply no time. Gould gradually starts to question her interesting sister's stories, which leads to a disconcerting denouement.

自恋（长濑智也饰）是一名刑警，有一个刚刚分手的前女友日暮里惠（中岛美嘉饰）和一幢背负着贷款的为理惠买的豪宅。日暮里惠的嫉妒心和对自恋的盲目崇拜使得自恋变成了一个名符其实的自恋狂，现在自恋狂失恋了，而他的上司冴木优（荒川良良饰）居然是一个新婚不久的幸福男人，更令自恋震惊的是，讶木的妻子不是别人，正是自己的前女友理惠。自恋有一种奇怪的体质，他所喜欢的女性总是会被卷入犯罪事件，或者说，他总是被女性身上的犯罪气息所吸引？这样的他，作为一名警察，在业务上屡屡获得成功，但成功对于他来说，同时意味着的往往就是失恋。痛苦的自恋在酒吧里买醉，偶然结识了专门帮人解决恋爱烦恼的傻瓜四人组，气味相投的他们一拍即合，这四个傻瓜能帮自恋解决困扰他的恋爱问题吗？在恋爱的同时也要打击犯罪！自恋刑警整装待发。

新剧中，长濑智也将饰演一位外号“自恋狂”的警察，年过30还是独身的他有着神奇的“超恋爱体质”，每次都会对女嫌疑犯一见钟情。为了增加看点，制作局特意请来多位不同年龄段的女演员，在每集客串演出。

拍摄此片前，本片的导演斯蒂夫·巴尔德森已闻名片界，他在此片中做出了一个更加大胆的尝试和无畏的挑战，探索了一个从未有人涉足的全新领域-自恋狂。 　　此片堪称最大胆的原创影片之一。对于此片的评价，众说纷纭，经久不消。片中男主角是个英俊的大学教授，他不爱任何人，不管是男人还是女人，除了他自己。他将自己的头像贴在充_气娃娃上，和充_气娃娃做，口中念的是“我爱我自己，我爱我自己”。 　　他的自恋达到了疯狂的地步。他的精神支柱是“我是世界上最帅最聪明的人，和别人做，有辱我的身份”…

主角莉莉有著小蛮腰跟海咪咪，本来可能是男人梦想中的尤物，可惜的是，她居然拥有一张跟深海鱼没啥两样的脸！！这样的她居然还可以自信过度，甚至以为好友安娜的男朋友恭太郎暗恋她，搞得恭太郎是生不如死，恨不得赶快将她放生回大海去啊！於是恭太郎带她来到海边，想趁机让她死心，没想到笨笨的她居然在海上睡著啦！望著被救回来、奄奄一息的她，恭太郎居然心软而决定要跟她交往…天啊！这下恭太郎真的会“羊入鱼口”吗？

主角莉莉有著小蛮腰跟海咪咪，本来可能是男人梦想中的尤物，可惜的是，她居然拥有一张跟深海鱼没啥两样的脸！！这样的她居然还可以自信过度，甚至以为好友安娜的男朋友恭太郎暗恋她，搞得恭太郎是生不如死，恨不得赶快将她放生回大海去啊！於是恭太郎带她来到海边，想趁机让她死心，没想到笨笨的她居然在海上睡著啦！望著被救回来、奄奄一息的她，恭太郎居然心软而决定要跟她交往…天啊！这下恭太郎真的会“羊入鱼口”吗？

In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of Erkennen und Verfolgen, which continues the deconstruction of claims to visual objectivity 　　In War at a Distance, Farocki returns to themes explored in works such as Images of the World and the Inscription of War, bringing them technologically up to date. The automation of factory production is paralleled with the automation of destruction in warfare, and a new world of machine images is revealed – images not intended for human eyes, but for the visual tracking systems of the digital age. The video traces the history of missile guidance systems from WWII through the present day using visual artifacts of machine guidance systems, as well as training films, missile footage from the Gulf War, and flight and battle simulations. A coolly terrifying glimpse of the future.

墨西哥母亲玛格达勒娜在前往美墨边境寻找失踪儿子的路途中，遇到了不久前被美国驱逐出境的男子米格尔。玛格达勒娜寻子，而米格尔则希望能再见他母亲一面…

十年前，一家科技公司宣布他们发现了匹配完美伴侣的“真爱基因”，准确率高达 99.9%。 　　十年后，婚恋世界早已天翻地覆，越来越多的人找到了自己的“专属恋人”。 　　但是，即使是最“完美”的伴侣之间也有秘密…… 　　现在，五个境遇不同的人分别收到了他们的配对结果，等待他们的会是承诺中的幸福结局吗？ 　　他们中有成功的女企业家、渴望家庭的离异女青年，有的大胆追爱，有的即将步入婚姻殿堂，甚至还有一个道貌岸然的连环杀手。 　　五个比《黑镜》更加曲折震撼的故事，邀你共赏“真爱”的真面目。